The Norwegian band Weserbergland takes its name from an area in Germany particularly known for experimental music in the 1970s.
The last two albums "Am Ende der Welt" (2019) and "Sacrae Symphoniae no.1" (2022) have aroused excitement both among the public and reviewers at home and abroad with their uncompromising avant-gardism. In addition to German noise music, Weserbergland draws inspiration in the form of modes and compositional techniques from Renaissance church music.